川薯
Li Jin (b. 1958) bared his soul in the paintings. In this time of a market economy, he centered himself in a life of consumption. He seemed in love with it and enjoyed it, sympathetically experienced it, but also ridiculed it. There were many women and feasts, joys, miseries, loves, sensual desires, and comedy in his paintings. He kept the Bi-Mo tradition, painted in the way of traditional ink painters. He tinted ink or color, drew fine lines, filled colors, and wielded his brush with facility and freedom.
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