Participating
artist Soojin Kim’s room of deceptively banal or kitsch paintings and
sculptures of cookies and crackers tantalizes the viewer, while the half-eaten
sweets evoke a sense of nostalgia or loss. Kim describes her work in relation to
memories of her father indulging in American candies and sharing them with her
during the Korean War. Despite the unity of the subject matter, Kim’s work
exhibits a remarkable range, with a Wayne Thiebault-esque canvas of peanut
butter cups, a bronze relief of a bitten Oreo, and a wall of small oil paintings
arranged Salon-style in unique frames, featuring portraits of commonplace snack
foods like Teddy Grahams, Goldfish, and animal crackers. Kim shares the gallery
with fellow student Taylor Butler, whose large, quasi-abstract canvases
featuring technologically-inspired imagery like a jet-ski or a car hauler, look
like watered-down versions of Kristin Baker’s racecar-inspired paintings,
without the saturated colors reminiscent of Pop art.
___ By Alexandra perloff-giles, Harvard CRIMSON STAFF WRITER